The true nature of Fabrizio De André is a poetic one, as he was  probably was more of a poet than a musician or a singer. Let's not be  mistaken, he was an excellent performer and a great composer, but the  strength and energy that came out of his words are certainly what made  him such an important character in the Italian culture. De André was  able to create tales with his songs, like a medieval storyteller. And  like an artist he broke all the rules; he had a strong message and  didn't hide it in complicated lyric twisting. He laid it out plain and  simple for everyone to understand and hear, touching the hearts and the  souls of his listeners.
Unlike most other musicians, very sentence that De André wrote is  part of a story. It is actually possible to read the words as if they  are a narrative work of fiction, not even a poem. This is his main  quality and his strength, and it is what gained him the overall respect  of the Italian public, without regard for his general or political  views.
In reality, in his private life Fabrizio was very leftist politically  and he never made a mystery about it. At times, he received some  special "attention" from the government for his affiliations with some  extreme leftists, but his actions were always correct, honest, and  clear. He was an idealist and the only weapon he ever used was his  guitar, an instrument he mastered not as a rock star might, but as a  tool to support his songs. In fact, his songs were so visually effective  that could also be considered as short films, as every scene and every  character flickers in front of the eyes, although in reality they are  created out of words and music.
To remember some songs of his repertoire and to offer some  perspective on its content, we would like to mention three songs that  are probably the most popular among his work, and the ones that best  represent his free spirit and his inspiration. One is "Bocca di Rosa"  (Rose Mouth) that talks about a prostitute moving to a small town to  gently please the men until moral issues, the local women, and politics  force her to move elsewhere. The song ends with most of the men,  including the local priest, waving goodbye to her at the train station -  not the station of the small town but the next one. This signifies  their affection, but also represents the hypocrisy of not wanting to be  associated with her in their hometown. The second is "La canzone di  Marinella" (Marinella's song), a true fairy tale about an average girl  and a prince on his horse falling in love. Marinella dies at the end  leaving the prince in despair. It narrates almost like a Grimm brothers'  story. The third and probably more effective song is "La guerra di  Piero" (Piero's war) where a regular private sings while shooting  another in an act of war. Very vivid and very dramatic, as De  André takes us to the battlefield, not to entertain but to make us think  about the idiocy of war.
De André never really cared to have a commercial style. He had his  way of communicating and basically stayed with it until the very end. He  was not gifted with a particular voice, nor even an unforgettable style  of composing, although when combined, these elements made his final  product simply fantastic and at the very top. Some compare him to Bob  Dylan and probably the comparison is not too far from accurate. In his  private life, De André was married to another singer Dori Ghezzi, whose  beauty and candor hit the hearts of many Italians. Relatively wealthy,  unfortunately they didn't have always happy moments. De André and Ghezzi  were indeed kidnapped in the summer of 1979 in Sardinia and remained in  captivity for over four months, released after a ransom just a few days  before Christmas. Cancer took him away at the age of 58, when he could  still deliver so much. It would have been interesting to hear his take  and point of view on today's world. It was all probably far from his  vision, but it is likely he would connect with the Internet and its  people, he would have a blog, and his ideas would have soared.
It is, in fact, possible to follow his music and videos on Youtube  and other sites; after all, legends like Fabrizio De Andre never die.  They only get more popular with the passing of time.
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